Eddie Perez was just a couple of years into his tenure with The Mavericks when the band shattered, fragile glass hitting a tile floor and exploding into jagged pieces. Those years before their 2004 breakup, he concedes now, weren’t much fun.
Perez is a veteran rock guitarist who has played with Dwight Yoakam, Miranda Lambert, Lee Ann Womack and others. But when the group first assembled back in the studio four years ago, he was uneasy.
“After doing music all these years with so many artists,” he says, “I can tell you it’s rare for me to get nervous or apprehensive, very rare. But the first time we came together after many years apart in the studio making “In Time,” I was nervous. “
“But once we put the headphones on and Raul (Malo) said it goes like this and here’s the song, from that moment, it was like no time had gone by at all. It was quite bizarre to tell you the truth.”
They did “Back in Your Arms,” that first song, in one take, the first time they played it as a band.
“That was an amazing feeling,” Perez adds. “We’re talking about a nine-year break. We didn’t see each other in the same room for that many years. To come together in a studio setting it was as if no time had gone by. We went from elation to wow, this is a chance to do this thing right again.”
The Mavericks were back, better than ever. “In Time” earned plaudits. The eclectic follow-up, “Mono,” drew universal raves and led to their recent live album, “All Night Live Vol. 1.”
“We started instantly realizing how good we play together,” he adds.
Everybody was, uh, more mature, Perez notes. They’d meandered through life’s experiences, had kids, and played with other artists. Malo had gone off and done solo discs, experimenting with different genres. “Lucky for us he brings his experiences to what we’re doing now and it’s been a completely brand new day for us,” he adds. “It really is a celebration. To be able to come back and have a second act like this is pretty much unheard of.”
The band appears at The Sandler Center in Virginia Beach on Dec. 7.
The Mavericks of 2016 are a dramatically different band than the one that burst on the scene in 1991 and landed 14 singles on the Billboard country charts over the next 12 years. Oh, they can honky tonk like they did on “What a Crying Shame.” They can blend in Latin music to make you shake and bake. They can swing like an old big band. They can get down and dirty with the blues. They can shape a ballad like few other bands.
Malo’s love for Roy Orbison, Hank Williams, Gram Parsons, Elvis Presley and George Jones still shines through his vocals. The man may be the finest crooner today.
“His voice is one of a kind that doesn’t come along often,” Perez says. “And he sounds that good at 7 o’clock in the morning on some TV show after a night of martinis and cigars. It blows us away. I think if anything his voice has gotten better.”
The recent albums have taken the band into ever more varied terrain with songs that would not be out of place on albums by the The Specials, Buena Vista Social Club or a Latin dance disc.
“It is such a luxury to be a musician in a band like this that gets to explore without being confined. We explore all the musical genres that have turned us on and that we have been students of ourselves,” he says. “We all great up on the American songbook. We were inspired by all that, but we’re also complete audiophiles. We collect records. We still shop at record stores looking for records we don’t have. I’m big into jazz. There are a lot of influences there.”
“We just try to make the best, most honest fun feeling music that we can.”
In short, The Mavericks have become their own genre, labels be damned.
“When we’re making this music and writing this stuff, we’re not really conscious and aware of the specific style of song or style of guitar playing,” he adds. “We get in there and let it happen on its own, let it see where it takes us.”
He acknowledges that when he goes back and listens to the early records, it’s easy to hear the dramatic evolution.
They are also now on their own label with the live album their first offering. Perez says it’s a natural evolution. “We’re very hands on everything that has to do with this business from the music and the writing to playing together in the studio and going out and touring,” he says. “It seemed like a natural progression.”
The live show — they’ve played about 120 dates a year since getting back together — is the core of The Mavericks. “Our shows are pretty much parties every night,” he adds. “On the bus, grooving, getting into that head space. When we hit the stage it’s a party and afterwards it’s a party. We all missed playing music together.”
Perez says the band’s renewed passion shows on the disc. “I can attest to how much fun we’re all having right now,” he says.
“I can’t say that was always the case,” he adds, laughing.